1. Having “all day” to work on writing means you have about 2 good solid hours.
2. The cable bill will come due on your deadline and you won’t be able to pay it because you went out drinking last night.
3. There IS such a thing as too much ccafffeinne.
4. It takes you three times as long to write about a person, subject or thing that you actually care about.
5. Doubt is your biggest enemy. The minute you think you aren’t up to the task; you aren’t. Vodka won’t change that. Sex won’t change it either.
6. No one will be as excited about your goal as you.
7. The concept of “the muse” as most writers use it confuses and irritates me. “The muse is an angel” “The muse is a parasite.” “The muse is a whore.” “The muse is a fickle friend.” I think we need to maintain a safe distance from that so-called entity that inspires us to write. What do we do if the muse doesn't show up? Our job as writers is to show up and write. Sometimes, we write brilliantly, sometimes (often) we don’t. The more we grow anxious about engaging the muse or “allowing” her into our lives, the less capable we are of simply showing up.
8. On that same note: If you think about the whole book or even a whole chapter, you will freak the hell out. That thing that E.L.Doctorow, the author of the book/play Ragtime said holds true, “Writing a book is like driving at night. You can only see as far as the headlights, but you can make the whole trip that way.” (Probably misquoted, but the general idea is there.)
9. Remember how everyone said they would help you? Edit when ever you want? Take you out for cocktails? Get photos for you? Yeah. They didn’t mean it. Don’t take it personally, they are busy, too. (See rule #6.)
10. Every now and then, you have to interact with real humans. In my case, I am actually writing about what real humans would presumably want to do, so it makes sense that I would understand what people might be interested in. But when I find myself sharing how excited I get about closing all my browser windows at the end of each task (seriously, so gratifying!) and look up to find everyone staring blankly back at me, I know it is time to turn off the computer and talk to someone who doesn’t limit me by 140 characters.
11. I am apparently a perfectionist. But I’ll elaborate more on that later. I don’t have enough time/head space right now to express everything I want to say on it right now. (Which, as I re-read this, is probably a testament to the fact, sheesh.)
12. Your editor is there for a reason. Don’t expect to be perfect. Try to spell correctly. Use the Oxford comma with grace and skill, but don’t spend an entire day looking up 14 alternatives to the word “good,” only to freak out and spend another day reading People magazine instead of writing because you are afraid you are a boring and amateurish writer who should never have gotten the job in the first place.
13. I’ll say it again. Your editor is there for a reason (and not because you are boring and amateurish. Stop it. Just stop it.) Your editor is there to make you better. When your editor does correct you, don’t beat yourself up for not thinking of it first. Embrace it.
14. Don’t make plans on the day of a deadline in hopes that you will be inspired to stay focused. Mistakes will be made.
15. Don’t forget why you’re doing it.
Consent to cuts?
9 hours ago

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